VISUAL ARTS
Images of the West arrest the eye
By Bob Keefer
For The Register-Guard
PUBLISHED: 12:00 A.M., MARCH 13
Here in the maritime Northwest — with our gray skies, perpetual rain and evergreen forests — it’s easy to forget we’re just a half a day’s drive from the other West — the one tamed by cowboys, carpeted by sagebrush and overarched by endless big skies.
A new exhibit at Eugene’s White Lotus Gallery takes a look at that other West through the eyes of five local artists, including four photographers and one printmaker and painter.
“The Golden West,” which runs for another month, was put together in conjunction with Eugene Opera’s production of Giacomo Puccini’s “Girl of the Golden West,” which runs this weekend at the Hult Center.
Let’s start with the work of Charles Search. His black-and-white photographs of the open landscapes of the inland West combine great craft and deep subtlety. Yes, we’ve seen lots of pictures of this landscape before. But look again at Search’s work.
His 2009 photo “Spring Respite at Alkali Flat” — printed the old-fashioned way, in a darkroom on gelatin-silver paper — offers a surprising composition, with heavy clouds and dark mountains above balanced only by pale reflections in the desert lake bed below.
The composition shouldn’t work — the photo should be top heavy — and yet, somehow, it’s beautifully and satisfyingly composed.
A second image by Search is also compelling. His 2004 “Down From the Mountain,” a wide, panoramic view of distant mountains with a river in front, is again just odd enough in its construction to catch the eye despite its common subject matter.
Search also has several large-format portraits of cowboys. They veer a bit into sentimentality but are engaging nonetheless.
White Lotus regulars will be familiar with the color photography of Eugene’s Gary Tepfer. Best known for his work in Mongolia and Arizona’s Canyon de Chelly, he is one of the last color darkroom printers still working in this digital age.
Shooting with a square-format camera, Tepfer makes exquisite color prints using the venerable Cibachrome or Ilfochrome process, which gives beautiful and archival color prints with a great color range. Sadly, the Ilford company announced its last production run of the paper in 2012, so I hope Tepfer stocked up.
His work in this show includes images from Canyon de Chelly as well as Oregon’s Owyhee River country. One picture, “Hogan Interior,” captures the inside of a Navajo cabin in lush warm tones. But even better are landscapes such as his 1992 “Red Clay Cliffs,” which has all the poise and perfection of a finely done painting.
David Butler is a photographer that I hadn’t encountered in the past. His simple “Bodie, Interior,” a modest look at a chair inside a cabin, is a great study in understated color.
Rich Bergeman’s work in the show strives to capture the perfect detail in small black-and-white shots, such as a set of picket fences caught in a yard in Harney County’s Frenchglen or the door of an old jailhouse in Antelope.
Finally, sprinkled into the midst of all this photography are the quite different portraits of cowgirls and ranch women done by Eugene artist Lynda Lanker. Done in a variety of mediums, mostly printmaking processes of various kinds, the portraits are spare, monochromatic and intimate, showing us the human side of the Western landscape.
Much of the work in the show has been seen before in other exhibitions. What makes this new exhibit especially appealing is the way the White Lotus has arranged the work not by artist or by subject matter but almost as a conversation between the pieces.
Go see it on your way to the opera.
Bob Keefer is a regular reviewer of art for The Register-Guard.
ART REVIEW
The Golden West
What: Prints and photographs of the American West
When: Through April 12
Where: White Lotus Gallery, 767 Willamette St.
Hours: 10 a.m. to 5:30 p.m. Tuesday through Saturday
Contact: 541-345-3276 or wlotus.com